Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers
Composition, 1949 – gouache on paper, professionally framed by Willy Boers

Composition, 1949 – gouache on paper, professionally framed 1949

Willy Boers

GouacheFarbe
61 ⨯ 49 cm
ConditionVery good
Preis auf Anfrage

Van Kerkhoff Art

  • Über Kunstwerk
    An original abstract gouache on paper. Painted by Willy Boers in 1949. Signed and dated (front, bottom, right). Professionally framed in a gilt wooden frame, museumglass.

    About Willy Boers
    Willy Boers (Amsterdam 1905 – Amsterdam 1978) was a Dutch painter, sculptor and illustrator considered to be one of the main innovators of post-war Dutch art.

    Willy Boers was raised in a prominent Dutch-German family and must have upset his father when he decided to become a painter instead of taking over the family insurance business. He started out restoring paintings and after which he started painting his on works.

    In the 1930’s he started out painting figurative works related to the then prominent style of the “Nieuwe Zakelijkheid”. in 1946, Willy Boers founded the artist movement “Vrij Beelden” with Ger Gerrits. By that time Boer’s work has become abstract. In these same years he travelled often to Paris where he gotten to know the work of the prominent French abstract painters of the “École de Paris”.

    In Paris he exhibited four times in the “Salon des Réalités Nouvelles”. In the Netherlands he participated in several exhibitions in the Stedelijk Museum with painters like Willem Hussem, Piet Ouborg and Jan Roëde.

    In 1949 Boers founded a new artist movement “Creatie”. Members were among others Anton Rooskens and Eugène Brands. Like “Vrij Beelden” the movement was dedicated to “absolute schilderkunst” meaning fully dedicated to abstract art. “Creatie” was the first artists’ association fully committed to non-figurative art. They exhibited their work at Museum Fodor in Amsterdam.

    In the 1960’s and 1970’s Boers experimented with geometrical abstraction, collages and matter painting and his work became increasingly influenced by the American abstract expressionists.

    Signatuur
    Signed and dated "Willy Boers '49", front, bottom, right

    Conditie
    Good original condition, some slight ondulation, professionally framed, museumglass

    Provenance
    Collection Frans Molenaar – Dutch Fashion designer

    Afmetingen
    Artwork
    Height 61 cm
    Width 49 cm

    Frame
    Height 76,5 cm
    Width 64 cm
    Depth 3 cm
  • Über Künstler

    Willy Boers ist ein niederländischer Künstler, der 1905 in Amsterdam geboren wurde und 1978 in Amsterdam starb. Er wurde als Restaurator ausgebildet, wurde jedoch Autodidakt, Maler, Zeichner und Bildhauer. Willy schuf auch Porträts, Landschaften, Stadtlandschaften, Stillleben und abstrakte Kunst. Er unterschrieb seine Arbeit bei W. Boers.

    Er war bis 1940 Mitglied des Haagse Kunstkring und trat zwischen 1929 und 1941 der Kunstgesellschaft De Onafhankelijken bei.

    In den Jarhren 1946 gründete er zusammen mit Ger Gerrits die Gruppe Vrij Beelden, zu der die Künstler Willem van Hussem, Piet Ouborg und Jan Roede gehörten. In den Jahren 1950 gründete er die Gruppe Creatie.

    Seine Arbeiten sind in den Sammlungen des Rijksmuseums in Amsterdam und des Cobra-Museums in Amstelveen enthalten.

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