Carmencita 1883
Théo van Rysselberghe
ÖlfarbePlatteFarbe
24 ⨯ 18 cm
ConditionMint
€ 8.000
Art Dumay
- Über KunstwerkTheo van Rysselberghe was a Belgian painter associated with Neo-Impressionism, and his work “Carmencita” from 1883 is a fine example of his early artistic development. This painting is notable for several reasons.
Historical significance: As an early work created at the beginning of Van Rysselberghe’s career, “Carmencita” offers valuable insight into his artistic growth. During this period, he was influenced by Realism and began experimenting with Impressionist techniques, before later transitioning into Neo-Impressionism.
The fact that this panel is signed, dated, and titled enhances its provenance and authenticity.
Format and condition: Measuring 24 x 18 cm (panel) and 32 x 26 framed, “Carmencita” is a relatively small work, likely intended as a study or an intimate composition. Its good condition adds to its value, suggesting that the colors and details have been well preserved as originally intended by the artist.
Theo van Rysselberghe’s works are widely appreciated for their vibrant use of color and light. As his career progressed, he became one of the leading figures of Neo-Impressionism, often associated with the pointillist technique inspired by Georges Seurat. Although “Carmencita” predates his pointillist phase, it already demonstrates the careful observation and attention to detail that would later define his work. This piece is therefore of interest not only for its aesthetic qualities, but also for its historical and scholarly importance in understanding the evolution of Van Rysselberghe’s style. - Über Künstler
Van Rysselberghe (1862 – 1926) gilt als wichtiger Anführer des Pointillismus, mit dem er niederländische Künstler wie Jan Toorop inspirierte.
Während einer seiner Reisen nach Marokko im Jahr 1888 sah er buchstäblich und im übertragenen Sinne das Licht und begann, Punkte unvermischter Farbe aufzutragen, mit denen er Licht und Farbe auf erhabene Weise ausdrücken konnte. Er wird diese Technik während seiner gesamten Karriere weiter anwenden.
Die Ausstellung skizziert Van Rysselberghes Entwicklung anhand seiner Lieblingsthemen: Gesellschaftsporträts, sonnendurchflutete Landschaften von Flandern bis Marokko, Meereslandschaften und der weibliche Akt. Sein Oeuvre ist eine Ode an die Schönheit des Lebens und an die Malerei selbst.
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