Old citymap of 's-Hertogenbosch 1652
Joan Blaeu
Papier
42 ⨯ 53 cm
€ 1.450
Inter-Antiquariaat Mefferdt & De Jonge
- Über Kunstwerk“Sylva Ducis Gallis vulgo Bois le Duc; vernacule ’s Hartogen Bossche” [Sylva Ducis, in French commonly called Bois-le-Duc; in the vernacular: ’s-Hertogenbosch.] Copper engraving published by Joan Blaeu in 1652 as part of his town book Tooneel der Steden. Coloured by a later hand. Size approx. 42.5 × 53 cm. The Duke of Brabant founded ’s-Hertogenbosch at the end of the twelfth century as the north-easternmost defensive outpost of his duchy. Because it lay near the “three-borders point” of Brabant, Guelders, and Holland, ’s-Hertogenbosch held great military importance for centuries. The city was provided with powerful fortifications and was almost impossible to conquer. During the Eighty Years’ War the Dutch States forces tried no fewer than six times—unsuccessfully—to capture it (in 1585, 1591, 1594, 1601, 1603, and 1622). The opposing side spent vast sums on improving and extending the fortifications. In 1629 Prince Frederick Henry besieged the supposedly impregnable city with 30,000 men; after three months it was forced to capitulate. Following the conquest, a massive citadel (or fortress) was built on the north side of the city. On the map (lower left) one can clearly see that the fortress commanded an open field of fire toward the city; the houses along the Orthenweg (“Casteels Pleyn”) were demolished for this purpose. The plan of ’s-Hertogenbosch shows that the city was laid out along three main streets radiating from the Marct veldt (market square): the Hinthamerstraat running east past St John’s, the Vughterstraat leading south, and the Orthenstraat heading north. The latter was later cut off by the citadel. To the west there was no direct road, but a city gate (no. 46, the St John’s Gate) gave access via the “Wech van Deuteren en Vlymen” along the “Newly Dug Canal.” On the reverse of the map Joan Blaeu described ’s-Hertogenbosch (in 1652): The desire for glory and honour, Blaeu writes, has always inspired men to great deeds—and to the founding of cities that would carry their names. Just as Alexander the Great gave his name to many cities, so ’s-Hertogenbosch derived hers from a duke, probably Godfrey III of Lorraine, who began building it in 1084. His son Henry strengthened the settlement with a moat and expanded it further. The city was originally circular and had three gates named after Leuven, Brussels, and Antwerp. Over the centuries ’s-Hertogenbosch underwent several enlargements—in 1318, 1453, and again in the early 16th century. It acquired brick walls, bastions, and deep moats fed by the rivers Dommel and Aa. Around 1550 it had seven city gates, later reduced to five: the Vughterpoort (to Antwerp), Orthenpoort (to Zaltbommel), Hinthamerpoort (to Grave), St John’s Gate (to Heusden), and St Anthony’s Gate (to Helmond and Eindhoven). Spanning the moats were dozens of bridges—according to Blaeu, 51 of stone and 38 of wood—and the city’s circumference was so large that it took a brisk walker an hour and a half to circle it. At the city’s heart stood the great St John’s Cathedral, elevated to episcopal status in 1559. Blaeu calls it “impressive and magnificent,” adorned with a costly clock. He describes the inhabitants as brave, martial, and industrious, retaining something of the sturdy character of the old Brabanders. At the same time, he praises their civility, diligence, and craftsmanship, noting the presence of many talented artists and artisans. ’s-Hertogenbosch lay in the midst of marshy terrain, surrounded by meadows often flooded—conditions that rendered it virtually impregnable in wartime. To the south, near Vught, where the ground was slightly higher, the Spaniards built three strong forts before the final siege of 1629: St Anthony, Isabella, and the Pettelaarse Schans. The Dutch Republic later further reinforced the city and constructed a new fortress at the end of the Orthenstraat, where the Dieze River enters the town. The municipal government consisted of two schouten (sheriffs) of noble birth—one responsible for civil matters, the other for criminal cases—and a board of schepenen (aldermen) elected annually. Emperor Charles V expanded this board in 1525 from seven to nine members and granted it considerable authority, including over fines and legal disputes. Only native citizens could serve as councillors, and they were required to reside in the city during their term of office. Blaeu calls ’s-Hertogenbosch the capital of the “fourth quarter” of Brabant, which included the regions of the Kempen, Peelland, Maasland, and Oisterwijk, with towns such as Helmond, Eindhoven, Megen, Ravenstein, and Grave. The city, he says, contained more than two thousand fine houses, a spacious market square from which eight streets radiated, and abounded in prosperity and artistic achievement. Finally, Blaeu lists several of its most distinguished sons: Cardinal Willem van Enckevoort, the humanist Georgius Macropedius, the scholar J(o)an van Vladeracken, and the jurists Dirck Nopen, Wilhelm van Veen, Arnout Arlen, and Gosuinus Steganus.
Together, he concludes, they embody the learning, courage, and excellence of a city which, “in strength, beauty, and fame,” scarcely finds its equal in Brabant. Price: Euro 1.450,- - Über Künstler
Joan Blaeu (1596-1673), wurde am 23. September 1596 in Alkmaar geboren.
Er war ein niederländischer Kartograph, der in Alkmaar geboren wurde. Er trat in die Fußstapfen seines Vaters, des Kartografen Willem Blaeu.
1620 wurde er promovierter Jurist, trat aber in das Werk seines Vaters ein. 1635 veröffentlichten sie den Atlas Novus (vollständiger Titel: Theatrum orbis terrarum, sive, Atlas novus) in zwei Bänden. Joan und sein Bruder Cornelius übernahmen das Atelier nach dem Tod ihres Vaters im Jahr 1638. Joan wurde der offizielle Kartograf der Niederländischen Ostindien-Kompanie.
Blaeus Weltkarte Nova et Accuratissima Terrarum Orbis Tabula, die die Entdeckungen von Abel Tasman enthält, wurde 1648 veröffentlicht. Diese Karte war insofern revolutionär, als sie „das Sonnensystem gemäß den heliozentrischen Theorien von Nicolaus Copernicus darstellt, die zeigen, dass sich die Erde um sie dreht die Sonne .... Obwohl Kopernikus' bahnbrechendes Buch "Über die Revolutionen der Sphären" erstmals 1543 gedruckt wurde, war Blaeu etwas mehr als ein Jahrhundert zuvor der erste Kartograph, der diese revolutionäre heliozentrische Theorie in eine Weltkarte einfließen ließ."
Blaeus Karte wurde für die Weltkarte kopiert, die 1655 in das Pflaster des Groote Burger-Zaal des neuen Amsterdamer Rathauses eingelassen wurde, das vom niederländischen Architekten Jacob van Campen (heute Amsterdamer Königspalast) entworfen wurde.
Blaeus Hollandia Nova wurde auch in seinem 1659 erschienenen Archipelagus Orientalis sive Asiaticus im Kurfürsten-Atlas (Atlas des Großen Kurfürsten) abgebildet. und von Melchisédech Thévenot zur Erstellung seiner Karte Hollandia Nova – Terre Australe (1664) verwendet.
Als „Jean Blaeu“ veröffentlichte er auch den 12-bändigen „Le Grand Atlas, ou Cosmographie blaviane, en laquelle est Exactement descritte la terre, la mer, et le ciel“. Eine Ausgabe ist auf 1663 datiert. Das war Folio (540 x 340 mm) und enthielt 593 gestochene Karten und Tafeln. Im März 2015 wurde eine Kopie für 750.000 £ verkauft.
Um 1649 veröffentlichte Joan Blaeu eine Sammlung niederländischer Stadtpläne mit dem Titel Toonneel der Steeden (Ansichten von Städten). 1651 wurde er in den Amsterdamer Rat gewählt. 1654 veröffentlichte Joan den ersten schottischen Atlas, der von Timothy Pont entworfen wurde. 1662 gab er den Atlas Novus, auch bekannt als Atlas Maior, in 11 Bänden und einem für Ozeane neu heraus.
Als nächstes Projekt war eine Kosmologie geplant, doch 1672 zerstörte ein Brand das Atelier vollständig.
Joan Blaeu starb im folgenden Jahr, 1673, in Amsterdam. Er wurde in der Westerkerk in Amsterdam begraben.
Sind Sie daran interessiert, dieses Kunstwerk zu kaufen?
Artwork details
Related artworks
- 1 - 4 / 12
Unbekannter Künstler
Dutch School pair of equestrian paintings 1650 - 1750
Preis auf AnfrageGallerease Selected
Unbekannter Künstler
Een Gotische zuidelijke Nederlanden wandklok1580 - 1590
Preis auf AnfrageNico van den Assem restauratie
1 - 4 / 24- 1 - 4 / 24
- 1 - 4 / 24
- 1 - 4 / 12




























































![RARE ARMORIAL MAP: LEO BRABANTIAE Lion of the most noble Duchy of Brabant] by Sibertus Waterloos](https://media-3.gallerease.com/images/325cc033-a3b6-495f-9da8-6d06caf29b14/350x350/rare-armorial-map-leo-brabantiae-lion-of-the-most-noble-duchy-of-brabant.jpg)
































